N.E.W (New Expressive Works) – An Artist Residency Program
JANUARY 1st 2018 – JUNE 17th 2018 RESIDENCY
New Expressive Works is excited to continue into the 10th session of our Artist Residency program. Applications are now available. Deadline for applications is NOVEMBER 10th, 2017. NOTE: All application materials need to be sent electronically to email@example.com. For assistance, contact us and we will help with any extenuating circumstances.
DOWNLOAD THE APPLICATION
– VIEW THE APPLICATION GUIDELINES IN PDF – FAQ-Residency.
N.E.W. RESIDENCY APPLICATION GUIDELINES
– Important dates for the JAN – JUNE 2018 residency. Click here.
– Application process. Click here.
– Resource Council, N.E.W. Staff and more about N.E.W. Residents. Click here.
ABOUT THE PROGRAM: With the goal of providing more sustainable opportunities for new works of artistic excellence to be created, N.E.W. (New Expressive Works) is ready to accept applications from choreographers for the January – June 2018 Session.
OUR VISION: 1) To support artistic excellence in the creation of new works by choreographers from ALL levels in their professional careers. 2) To encourage and promote diversity in movement genres (classical, modern, Western, non-Western etc.)
GOAL: Select 4 N.E.W. residents to choreograph and produce 20-minute works. These works-in-progress will be showcased at the end of the six-month residency in a 3-night ticketed performance sponsored by New Expressive Works.
RETURNING N.E.W. RESIDENCY ALUM APPLICANTS: Starting this cycle, N.E.W. welcomes applications from past residents IF have completed a N.E.W. residency prior April 2015.
THE RESIDENCY IN BRIEF
– Each resident receives a maximum of 6 hours of rehearsal time per week (A total of 144 hours of rehearsal hours for the entire residency). These will be divided into two 3-hour slots and mostly available between 8am and 6pm during the weekdays. Exceptions will be made on a case to case basis.
– N.E.W. residents participate in “Fieldwork,” a peer-to-peer feedback process. Every 6 weeks, or so, all participants will gather (with facilitator and N.E.W. Program Director) to share your developing work and exchange feedback to support cultivating insight into composition and strengthening one’s ability to give critical commentary. These dates will be confirmed on December 13th, 2017 during your orientation.
– Residents might present their work in progress once, in the middle of the residency to an invited audience. This rehearsal will be a Fieldwork facilitated session where you will receive feedback from the invited (you can invite mentors and those you want to hear from) guests. The final work will be showcased the last weekend of the residency. This showcase will be a 3-night ticketed performance run, produced by New Expressive Works. The dates for this performance will be June 15th – 17th, 2018.
– New Expressive Works is made up of two studios:- A large 2000-square foot studio which is also the performance space AND a smaller 750-square feet rehearsal studio. Depending on availability, both studios will have to be used for your residency period. While all good faith effort will be made to host residency hours in the big studio, N.E.W. cannot guarantee that every residency rehearsal hour will occur in the big studio.
On successful completion each N.E.W. Resident:-
– Receives a $350.00 stipend. This stipend is funded in part by a Project Grant from the Regional Arts and Culture Council & Work for Art.
– Has access to high resolution images and a digitally manipulatable video of their performance.
– Becomes a N.E.W. alum and will indefinitely receive discounted rehearsal rate of $10/hour for post residency rehearsals in either studio (Regular rehearsal rates are $13 – $18 per hour). If alums book N.E.W. as a venue for future performances you will receive a 15% discount to the regular rates.
Orientation: December 13th, 6:30pm
First week of Residency Week of January 1st 2018
Final Week of Residency: Week of June 17th 2018
Final Performance: June 15th – 17th 2018 @ 7:30pm nightly
DOWNLOAD THE APPLICATION -PDF (Winter/Spring2018Application) |
Applications are due by November 10th. You must email your completed application to firstname.lastname@example.org. Please visit www.newexpressiveworks.org, click on “Residency Program” on the main menu. You can download a PDF version of the application from this website. Please email for a doc version of the application.
In order for us to consider your application complete, we will need the following:-
1. A completed Application Form.
2. One copy of your latest dance resume
3. URL(s) for work samples (maximum length 15 minutes) . Please make sure that each sample is an unabridged representation of your work, NOT a montage of excerpts or highlights of several works.
4. Any press coverage you may have received (up to 3 samples).
5. A written recommendation from a mentor/colleague to help strengthen your case.
For Questions or Guidance:
Contact Subashini Ganesan; email@example.com.
Program Founder and Director – Subashini Ganesan
Resource Council –
Mike Barber, Choreographer & Founder of Ten Tiny Dances
Erin Boberg Doughton, Performing Arts Program Director, PICA (Portland Institute for Contemporary Art)
Michelle Fujii, Co-Director, Unit Souzou
Katherine Longstreth, Fieldwork Facilitator and Choreographer
CaroleZoom, Artist & Arts Activist
Susan Caisse, Programs Manager
Robin Greenwood, Studio Lighting Designer & Tech Director
Major Funders –
James F. & Marion L. Miller Foundation
WYSE Real Estate Advisors
Regional Arts & Culture Council
Work For Art
WHO ARE OUR PAST & PRESENT RESIDENTS?
CURRENT – Crystal Jiko, Tere Mathern, Madison Page, Wolfbird Dance
October 2012 – March 2013
– Tracy Broyles
– Stephanie Lanckton
– Rachel Slater
– Robert Tyree
April 2013 – October 2013
– Keyon Gaskin
– Allie Hankins
– Kaj-Anne Pepper
– Danielle Ross
October 2013 – March 2014
– Yulia Arakelyan
– Luke Gutgsell
– Eric Nordstrom
– Lucy Lee Yim
March 2014 – October 2014
– Muffie Connelly
– Suniti Dernovsek
– Nancy Ellis
– Darvejon Jones
Oct. 2014 – Mar. 2015
– Oluyinka Akinjiola
– Jen Hackworth
– Dawn Stoppiello
– Takahiro Yamamoto
Oct. 2015 – Mar. 2016
– Catherine Egan
– Lane Hunter
– Linda K. Johnson
– Ruth Nelson
Jun. 2016 – Dec. 2016
– Dana Detweiller
– James Healey
– Jessica Hightower
– Renee Sills
Jan. 2017 – Jun. 2016
– Dora Gaskill
– Michael Galen
– Jessica Kelley
– Stephanie Schaaf
SOME COMMENTS FROM PAST N.E.W. RESIDENTS
“From studio time to structured criticism from a group of our peers, the residency enabled us to produce fresh challenging work that we presented at other venues in Portland and Chicago. Finding affordable and accessible space is one of the biggest challenges to making new work. It is such a privilege to have 6 months of free rehearsal time. The feedback we received through the Fieldwork sessions was invaluable. The N.E.W Residency encourages and supports the creation of bold new dance work. Portland needs this. We all need this.”
“The process of creating my first dance within the structure and support of the residency was completely transformative. With the work I created during my residency, I applied to and was accepted into NW New Works (Seattle), Risk/Reward (PDX) and secured an Alembic Residency at Performance Works NW to develop new work.“
“I was immediately provided with the space, time and community I needed to successfully create new dance work in Portland. In this rapidly expanding city, programs like the NEW Residency assure me that Portland is building a home for the dance makers of the future.“
“Fieldwork helped illuminate where the work had holes, oppositionally, it showed me what was reading and coming across to the audience. But it was done in an elusive way, no one was saying “hey, this part really doesn’t work, you should change that..”, the feedback was very objective, so I had to listen closely and open-up to what was really being seen and experienced by the audience. This elicited very honest choices.”
“My piece… comes from a very personal place. The residency provided me with an incredible amount of studio time. So rarely acknowledged for being as important as it is, rehearsal time is the most basic necessity for each choreographic process.”